Awards and Sales Galore in Hong Kong
Korean cinema had a strong showing this week in Hong Kong as it clinched a slew of deals during the Hong Kong International Film & TV Market (FILMART) and a pair of awards from the Asian Film Awards (AFAs) and the Hong Kong – Asian Film Financing Forum (HAF). In addition, 11 Korean films are screening as part of the Hong Kong International Film Festival (HKIFF). All of these events, and more, are staged by the Hong Kong Development and Trade Council (HKTDC).
The film festival got underway on Sunday evening with a glitzy gala premiere of the latest
Ip Man film from Herman YAU and the very next morning business got underway as FILMART and HAF opened their doors. The market floor was teeming with buyers and exhibitors while booths representing Korean companies were out in force. The
Korean Film Council (
KOFIC) manned an umbrella stand in the middle of the exhibition center and was surrounded by representatives of Korea’s regional film commissions and the country’s major film markets, such as Busan’s Asian Film Market and the Network of Asian Fantastic Films (NAFF).
Korean sales companies proved very popular during the week as most of their booths were booked solid with meetings.
Showbox was showing potential buyers special clips from its upcoming films, including the period action comedy
The Huntresses (out in May) and the big-budget CG-heavy
Mr. Go 3D, which was co-produced with China and will bow in July. Buyers also showed great interest in the sophomore works of the filmmakers behind
Bedevilled (2010) and
Save the Green Planet (2003):
JANG Cheol-soo (
Secretly, Greatly) and
JANG Joon-hwan (
Hwayi), respectively. Showbox is also behind
YOON Jong-bin’s
Nameless Gangster: Rules of the Time follow-up
Kundo: The Age of Rampant, one of this year’s HAF projects.
Meanwhile,
CJ Entertainment was very busy, particularly as buyers were curious about
BONG Joon-ho’s highly anticipated sci-fi extravaganza
Snowpiercer. A poster for the film was out front and center but as of yet no footage is available for the project. Other films on display from the company were psychic crime thriller
The Gifted Hands, the MMA action-thriller
Fist of Legend (out in April) and a variety of genre pics scheduled for later this year such as the influenza film
Flu and other thrillers such as
11 AM and
The Spy: Undercover Operation.
Finecut also had a lot to offer this year as their recent box office behemoth (12.5 million admissions and counting)
Miracle in Cell No. 7 sold to Comstock Group (Japan), Flash Forward Entertainment (Taiwan), Intercontinental Film Distributors (Hong Kong) and JoyNContents (Thailand). In addition, the melodrama
Love 911 scored deals with Twin (Japan), Eagle International (Taiwan) and Lotte Cinema (Vietnam). At FILMART, however, the film on most people’s lips was
New World, the hit gangster thriller from
PARK Hoon-jung. It already sold to Well Go USA during the European Film Market and a slew of buyers and festival programmers showed interest in the critically acclaimed film during the week. In addition, Finecut was also handling
Nobody’s Daughter Haewon, the new
HONG Sangsoo film.
Monday night played host to the star-studded 7th Asian Film Awards. A number of Korean films were nominated for the awards show, including
Pieta (3 nominations),
Nameless Gangster: Rules of the Time (6 nominations) and
The Thieves (3 nominations), while
Doomsday Book,
A Werewolf Boy and
R2B: Return to Base each received a nomination a piece. In the end, the only Korean film to prevail was
KIM Ki-duk’s
Pieta as its lead actress
CHO Min-soo was honored with the People’s Choice Award for Favorite Actress.
The Hong Kong – Asian Film Financing Forum (HAF) featured two Korean projects this year. The previously mentioned YOON Jong-bin period actioneer
Kundo: The Age of the Rampant, starring
HA Jung-woo and
GANG Dong-won, was seeking pre-sales ahead of its production. Meanwhile,
JANG Kun-jae’s
Sleepless Night follow-up
All About You (working title), produced by Naomi KAWASE and shot in Japan, was hoping to secure funding during the week. JANG’s project wound up winning the Wouter Barendrecht Award, a cash prize worth $6,410 (HK$50,000).
FILMART closed its doors late yesterday afternoon and once the dust settles as the booths are packed up and everyone goes home, we will no doubt learn of the many more deals that were clinched during the busy market week.